Elizabeth Reoch

Visual art lessons from a Canadian Artist, Teacher

February 8, 2017
by Elizabeth
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Buttercup

Buttercup – Digital Art

In Buttercup – Digital Art painting I used watercolor as well as acrylic painting techniques. New programs have opened up digital art to traditional painters because they are easier to manipulate and full of options. These programs can mimic brush techniques resembling real brush marks as a result giving the artist the ability to be expressive in digital art. I used an acrylic technique on the flower petals by dabbing solid colours on top of an under painting. I used watercolor technique on the leaves with smearing and layering light colours on top of each other.

This Buttercup painting was created with the free trial version of SketchBook for Windows 10. The different brush sizes help to control the digital ink and the smudge “webbrush” blends and moves the ink. The full colour wheel and the gradation scale allows for a rich colour pallet in the painting.

Buttercup - Digital Art

June 5, 2014
by Elizabeth
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Ship at Sea Painting

 Ship at Sea Painting

Ship at Sea painting

The Ship at Sea painting posed many challenges for me as an artist. The classic composition needed to be painted on a grand scale with dark hues and smooth brushwork, which is a different style of painting from my own style. I had painted sail boats and water but never wild rolling frothy water. I have seen tall ships at the Montreal port but I have never been drawn to the romantic imagery. This romantic subject was unfamiliar so I decided to look at art history to overcome that challenge.

By examining Théodore Géricault’s “The Raft of the Medusa” I began to find the motivation to paint. The ship that is seen off in the distance by the survivors is what I used for inspiration.

Théodore Géricault's "The Raft of the Medusa

Théodore Géricault’s “The Raft of the Medusa”

The shipwreck survivors are waving to what they think is a ship in the distance. That ship has influenced the imagination of many artists and dreamers. It seems to represent the romantic ideal of “Man verses Nature”. Our great struggle to keep working and trying to move forwards against all reason. Hope of rescue for the survivors is ever present in this painting.

 

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The image of a tall ship struggling alone at sea represents humanities hopeful  perseverance.

 Painting Tutorial

When working on a large scale realistic painting it is important to sketch out the composition and transfer the plan onto the canvas before applying your paint. Your drawing should indicate the plan for the under-painting and where you will apply layers of paint.

Sketch of Ship

Sketch of Ship

Thumbnail Sketch

Thumbnail Sketch

I gave the clear sky an undercoat of burnt umber and the water and stormy sky an dark aqua. The undercoat helps to set the mood for the painting.Underpainting Using a small square brush I begin painting the details of the ship. The ship has a simple colour pallet of burnt umber, yellow ocher and crimson.Tall Ship

Using a large square brush I worked on the water with a mixture of cerilium blue, burnt umber and ultramarine blue. The rolling waves painted in three shades of blue. Dark at the bottom and medium around and in the middle with light at the tip. The process of painting the stormy sea resembles sculptural work. Working back and forth adding shadows and highlights forming the waves.

Stormy water

Using similar colours, tones, textures and loose brushwork throughout the painting connects the composition.

Ship at sea on easel

Wild roses acrylic painting

February 18, 2014
by Elizabeth
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Wild Roses

Wild Roses – Acrylic on Watercolor Paper

Wild Roses is an acrylic painting done on watercolor paper. The key to painting with acrylic paint on heavy watercolor paper is to use less paint. The acrylic paint allows for layering giving the result of depth and richness of colour. The first layer was a thin wet layer of paint. Once that layer dried I added more detail to the painting with sweeping dry paint across the background. I then dabbed finishing touches to the flowers and leaves to complete the painting.

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I chose to paint Wild Roses because my mother once had a giant overgrown wild rose bush in our backyard. I loved to collect bouquets of roses during the summer even knowing I would walk away full of scratch marks from the thorns.